Alyse Rothman (director) recipient of a 2003 Drama League Fall Production Fellowship and member of Lincoln Center Directors Lab. Productions / staged workshops in NYC include: New Georges, New York Stage and Film/Powerhouse Theater, Manhattan Theatre Club, Manhattan Class Company, The Play Company, New Dramatists, Soho Rep, Rude Mechanicals, Partial Comfort, Page Seventy-Three Productions, Reverie Productions, The Kitchen, Mabou Mines, the NY Int’l Fringe Festival. Regional: Aspen Theater Masters (CO). International: The Traverse, Bedlam, and Netherbow Theatres (Edinburgh, Scotland). Artistic Residencies: Needcompany (Brussels), Mabou Mines, Voice and Vision Theater, The Millay Colony, HERE Arts Center and NYU. Founding member of Soho Rep Writer/Director Lab. Alyse recently served as literary manager for Moises Kaufman’s Tectonic Theatre Project, and on the literary staff at Manhattan Theater Club.
Sarah Bishop-Stone (dramaturg/producer). stage managed for Soho Rep (Everything Will Be Different and Peninsula), Pig Iron Theatre Co. (Pay Up), Clubbed Thumb (Quail), New York Stage and Film ( Quiver and Twitch), and New Dramatists, and has worked in various other capacities with The Civilians, Rattlestick Playwrights Theater, The O'Neill Playwrights Conference, Second Stage Theatre. She is also a director, has assisted Adam Rapp, David Herskovits, Steve Cosson, Rob Bundy, Simon Hammerstein, is a former Nerve Directing Fellow and has a BA in English and Comparative Literature from Columbia.
Gordon Cox (playwright). Cox is a
theater reporter for Variety and was previously a theater critic at Newsday
where he also wrote Newsday's theater column, "Play by Play." Besides
PHENOMENON, his current creative projects include THE SECRET NARRATIVE OF
THE PHONE BOOK and THE SPIDERCRONE'S BARGAIN, a play that has had two readings
under the auspices of Black Cat Group. Before he began writing for Newsday,
he worked as a clerk at the New York Times. In 1996, he graduated from Princeton
University, where he was the first artistic director of Princeton's student-run
theater troupe Theatre Intime.
Lance Horne (composer). is represented
on Broadway this season as the vocal arranger for Little Women, starring Sutton
Foster. Contributing composer to Songs from an Unmade Bed currently at New
York Theater Workshop, and the score for The Melting Pot production Flight,
currently running off-Broadway at the Lucille Lortel. Works seen at Joe’s
Pub, The Cutting Room, Lincoln Center’s American Songbook, Broadway’s
New Amsterdam Theater, Juilliard Drama Division and the final service at Ground
Zero. Lance is a current performance artist in residence with Franklin Furnace
and frequently plays Las Vegas with his band, Lance Horne & The One Night
Stands
Michael V. Moore (set design). has designed shows in NYC for the Lincoln Center Director’s Lab,
Theater for a New City, Rattlestick Productions, The Actor’s Playground,
Queens Theater in the Park, NY Fringe, American Theater of Actors, and Peculiar
Works Project. MFA, NYU.
Miriam Nilofa Crowe (lighting design). During her time at Yale, designed lighting for The Intelligent Design of Jenny
Chow at Yale Repertory Theater and Coriolanus, Orpheus Descending, The Last
of the Chatterbox Wolves, Banditos and Measure for Measure at Yale School
of Drama. She also designed 10 plays for Yale Cabaret. Recent New York projects
include Frag (TALR) Rebirth of a Nation and Transmetropolitan, (Lincoln Center
Festival ’04). Also Daedong Gut and Pansori (Lincoln Center Festival
’03), Bang on a Can Marathon and Next Wave of Song (BAM Next Wave),
Seigfried's Nerve (TMT), Sunwha Chung Dance, Senjo (Ontological), Michael
Mao Dance, Drilling Company, Harry Potter and 1899 (BAM), Gina Gibney Dance.
Her work has also been seen at Juilliard, Fordham, Chautauqua Conservatory,
Adirondack Theatre Festival, NY Fringe Festival and online at Pseudo.com.
Hal Eagar (projection/animation design).
art. 138 south oxford street studio c + brooklyn ny 11217 + 718 398 7800 + info@nerveensemble.org